When I arrived in Portugal in March 2019 I brought with me a small supply of blank postcards. I had the idea that I would paint or draw what I noticed each week and send them home to my mum as a more interesting variant on the usual tourist postcards.
It was a fun project, not least because it meant that I spent my days looking for something that caught my interest and I spent a bit of each Sunday making the pictures. So here they are, with what inspired me.
My first postcard was drawn on the plane, in the air as I left home. Economy class tray-tables are not ideal supports for drawing, but I don’t sleep on flights and I had a lot of time to occupy.
My second postcard was the view from my new apartment in Guimarães. I was enchanted by the ornate glass domes that provide light in dark stairwells and the different textures of the roofs.
My third postcard came as a result of a visit to the local art museum which houses a great collection of African masks. I left Africa to see African art? I rather liked this particular one, because it wasn’t scary. He looked so happy.
Here’s a happy chap
The next week I took a trip up the nearby Penha “mountain” in the teleférico. (I grew up hiking in the Drakensburg. I have standards for what can be called a mountain.) At the top I found giant boulders scattered about. Which inspired the fourth postcard below.
Portugal is famous for the beautiful tiles that decorate the buildings here. So much more interesting than bland, flat paint. I spent hours in the tiny streets of Guimarães, Porto and Aveiro admiring the designs. So postcard five was a little homage.
Finally (when my six postcards were coming to an end) I took a walk in the city park early one morning to find the small pond filled with frogs all croaking together.
I duly sent all six postcards off to my mum. So far, only one got to her. Whether this is a result of the postal service in Portugal or (more likely) in South Africa, we’ll never know. But I like to think that they will make their way there eventually or make someone smile wherever they end up.
Since closing down Better, I have finally found time to go back to my Faces series. To see the start of the series, click here for Face 1, Face 2, Face 3 and Face 4. This series explores men’s faces using colour to sculpt the contours and reflect emotion.
This painting turned out looking vulnerable, some combination perhaps of the exaggeratedly large eyes, the relaxed mouth or the neutral expression. The young man is quietly self-possessed, but open; not defensive.
This painting combines my favourite colours – yellow, pink and gold (not so visible in the photo) – grounded with sienna shades.
Face No.5: Vulnerable is painted in acrylic paint on a 50cm x 50cm stretched canvas and finished in gloss acrylic canvas. It is not framed.
I have started this year with reorganising my studio. It’s a major revamp – with new shelves and new pinning boards along one wall. I’m also taking the opportunity to sort and clear out all my stacks of old pictures, doodles, sketched ideas and junk.
As a result the studio is a bit messy right now. Any art I make is squeezed between piles of stuff waiting to be moved or sorted. So it’s mostly small stuff. This 25cm x 25cm canvas was just able to fit in the space I cleared last week.
I’ve been thinking about energy a lot, what with trying to recover from an exhausting 2017 and paying close attention to what energises me and what depletes me.
Somehow energy is represented in my brain as these round bubbles with different textures. Some are spiky and bright, others swirling and sparkly. This “fabric of life” painting shows some of these energy representations, against a background of woven fabric.
Fabric of Life is painted in acrylics on a gallery wrapped canvas. The painting goes around the sides of the canvas as shown above. It is finished with gloss acrylic varnish.
Here are my 31 Inktober pics all hung up for the exhibition. I spent a rather hot hour yesterday doing this, in the company of other wonderful artists quietly working on their walls. A sense of calm chaos. The exhibition is on the 7th floor of a rather empty office block. Lots of walls and views!
I got a chance to look around at some of the other work on display. There is some really good stuff. Only about half of it was up when I was there, so I am looking forward to seeing lots more tonight. That said, mine are the most colourful. Clearly not too many people have worked out that ink comes in many colours.
The exhibition opens tonight (Thursday, 9th November) at 6pm at 96 Jorrissen Street in Braamfontein. There is some parking in the building, but the Joburg Theatre’s parking is just a block away too. Do come along and say hi. If you can’t make tonight the exhibition will be up until Sunday, see details on my previous post.
Assemblage is organising an exhibition of Inktober drawings. It’s in Braamfontien, 96 Jorrisen street, opening on Thursday the 9th of November (next week) at 6pm. Do come along and see all the pictures I’ve posted here during this month in the flesh (as it were). You will be able to buy them, cheap! I’ll also be there.
Well I managed to complete 31 days of drawings. It was actually rather fun. Some evenings I only got to my studio after 8pm, and feeling rather uninspired, but the muse was there, every day. It’s a good discipline, but if I did it again, I’d make it a first-thing-in-the-morning priority, like meditating before breakfast.