Inktober 2017 days 6 to 10

I have really enjoyed the excuse to get into my studio every evening. Here are the results from days 6 to 10…

This slideshow requires JavaScript.

Day 6: Sometimes work feels like a war-zone

Day 7: Shiny Saturday symmetry

Day 8: The full scented rose

Day 9: Taking off

Day 10: Inkseckts

 

 

Advertisements

Inktober 2017, the first five days

On impulse, I signed up for the Inktober challenge. It’s a real challenge because I have never used ink before. I just assumed that ink was always black. Then I went out and found some great colours at my local stationers.

It’s been interesting, learning what ink can and can’t do. I’m loving the unpredictability of it all. I’ve also found it goes well with my favourite silver pen.

So here are my first five contributions to Inktober…

This slideshow requires JavaScript.

Day 1: Up and to the left

Day 2: Landscape with poppies

Day 3: J is for Judy

Day 4: The source

Day 5: Angelfish

I’ll post the rest here in batches of five. If you can’t wait five days I am posting daily on Instagram (https://www.instagram.com/judybackhouse/).

Face No.4: Sullen

Face 4 sullen
Face No.4: Sullen by Judy Backhouse © 2017

This face was inspired by a picture in Germaine Greer’s wonderful book, The Boy. The Boy is well worth a read, especially for mothers of sons in a world where there is so much focus on daughters. The beautiful illustrations (paintings and photographs) are a wonderful source of inspiration.

I liked the picture for its combination of angelic beauty with a direct challenge. I call the painting Sullen because it is a look I have seen on so many young men at that point where they stake a claim for independence. It seems to say “I am not who you want me to be; I will be my own person.” The refusal to participate comes across as sullen.

This picture combines reds and blues to create the pinky-purple tones with a little yellow and sienna for warmth.

It is painted in acrylic on a gallery wrapped canvas and is finished in a matt acrylic varnish. At 40cm x 40cm it is a little smaller than others in this series. It is ready to hang.

A face emerging

I find the process of painting these faces to be like sculpture. The face emerges as I work on one part of the surface, applying colour to create contours or features.

So I thought you might like to see the process. Here are three pictures of the face emerging from the canvas (left ot right). They were taken about a week apart.

At this stage I am waiting to see if the picture on the right is “finished”. Usually I wait a week or two , just living with him in my studio. Sometimes I notice things that need more work, sometimes I don’t.

When I’m happy that there is no more to do, I’ll varnish the picture and name him.

Face No.3: Kindly

Kindly2 small
Face No.3: Kindly by Judy Backhouse © 2017

This painting is based on photographs of Michael Stonebraker published in the Communications of the ACM (June 2015) at the time when he was awarded the ACM Turing Award for his contributions to Computer Science.

I think he has an interesting face. Ageing, not symmetrical, but with the kind of confidence that comes from doing worthwhile work. I have taken liberties with the specifics of shape and proportion, exaggerating the diamond shape of the face. The kindly eyes become the focus.

Small Kindly eyes

The colours include bright crimson, phthalo greens, both deep and light, and a rich magenta that becomes lilac when mixed with white. There is a fair amount of sienna in there too, also lightened with white. I love the way layers of colour sculpt the contours of the face creating the impression of lines, where there are none.

Face No.3: Kindly is painted in acrylic paint on a 50cm x 50cm stretched canvas. It is finished in gloss acrylic varnish.

Face No.2: Mischievous

imp small
Face No.2: Mischievous by Judy Backhouse (copyright)

This portrait is based on a picture of a worker in an Italian monastery, published in an old edition of Du.

I love this man’s pronounced smile lines and there is something open and trusting about his large dark eyes. But at the same time he seems a little apprehensive, with his head bent a little forward and some hesitation about his smile. I called him mischievous because I think he has a naughty streak. Behind the innocent look I can imagine him planning a practical joke.

The original picture was black and white, so I had fun inventing the skin tones using shades of ochre and sienna with touches of a dark phthalo green.

This portrait is painted in acrylics on a 50cm x 50cm stretched canvas. It is finished with gloss acrylic varnish. It would need to be framed for display.

Face No.1: Determined

face-1-small.jpg
Face No.1: Determined

There is something so self-possessed and quiet about this face, it’s almost serene. But there is that glint in the eye and the flare of the nostril reveals a steely determination. He may seem passive, but he is going to get his way, quietly and patiently waiting for the opportunity. This underlying energy is revealed in the background.

This painting is based on a photograph, in a very old copy of Du, of a carved statue. My academic training makes me want to cite the source, but I am resisting. I love that art can be layers of invention and re-invention.

Determined is painted in acrylic paint on a 50cm x 50cm stretched canvas and is finished with a gloss acrylic varnish. It is not framed.

 

I’ve been silent for a while on this blog because I have been launching Better, a physical space for creative makers in Johannesburg. If you are in Johannesburg, come along and visit. If you are a creative sort, looking for a place to create from and a community, join us.