Mandala No.16: Intersect

Mandala No.16: Intersect by Judy Backhouse (copyright)

I wanted to play with those Reuleaux triangles again, and this mandala started out as an experiment to see how they fitted into the square of the canvas. There are four of them, one with a point in the middle of each side. It gave an intruiging result, with the appearance of layers of almost squares. I added lines that complemented the edges of the triangles and the painting evolved into an exploration of intersections.

Intersections are about choices: Do you follow the path you are on? Do you choose another one? Which one will you choose?

It’s a messy picture, full of energy with the lines on the outside moving busily around the picture, containing the outward energy in the centre. For me it echos the busyness of living in the city where one moves along set paths, but with constant intersections which invite you to take another path, to explore something new. I find as I look at the painting that my eyes follow the lines up to an intersection and then swoop off in another direction.

Mandala No.16: Intersect is painted in acrylic paint and finished in gloss acrylic varnish on a 50 cm x 50 cm gallery-wrapped canvas. The painting continues around the edge of the canvas as shown below. This mandala is signed on the back and could be hung in any direction.


For those of you who noticed that Mandala No.15 is missing, well spotted! It’s called Focus, and so is a bit more intense and taking longer to finish.


Ten mandalas, five kinds of energy

Ten mandalas feels like quite a milestone. Here I wanted to put them together and explore the relationships between them. As I look back at them, I see that the mandalas have different kinds of energy in them.

There are two that are really forceful, and dramatic. These are Angry and Impact.

These mandalas have the highest energy levels; the energy is inspiring, but can also be intrusive and uncomfortable.

Then there are two which also have lots of energy, but it’s a lighter, more boyant energy. These are Joy and Exuberant.

In these there is a happy, swirling movement; still filled with energy, but with elements of freedom and fun.

The energy in Love and Growing is about a sense of progress, of slow movement, with the results becoming evident over time.

Here we sense the energy as calm, but powerful. The movement is not obvious, but inexorable.

The next type of energy shows up in Hope and Harmony.

These two mandalas have a vibrational energy. There is not much movement, but there is a sort of background hum to each of them. Tiny, repeated movements that have a cumulative effect.

And finally, in Happy and Peace we see a stillness. These are states of contentment.

There is little movement in these mandalas. Rather they represent ideal or perfect states without striving, or any need for change.

I have started working on my next set of mandalas, filling in some gaps that I see in the series thus far. I look forward to sharing them here soon.

Mandala No.4: Joy

Mandala No4: Joy by Judy Backhouse (copyright)

Joy is something much deeper than happiness. It has rich colours; deep brick red, magenta, and orange. The colours of joy are textured, they are not the simple, clear colours that I used in the Happy mandala. Joy cannot be contained. It spills out of the edges of the circle and the colours splash over each other.

This mandala has a simple structure with the outward movement reflecting the sense that joy wells up in the centre and flows towards the edges of the canvas. The curves create a sense of dancing for joy.

Joy is painted in acrylics on an ordinary stretched 50cm x 50cm canvas. Although I have painted around the edge of the canvas, it would probably be best displayed in a dark floating frame.

Joy wrap 2